Prints are available to fit within the following sizes: A4-A3-A2
Some may be designated only up to A2
Each print will be delivered mounted and unframed.
NB: International orders will be unmounted for carriage
If mounting is preferred then we can arrange, subject to discussion.
(For larger than A4 sent outside UK we do not advise mounted
though framed and/or mounted can be arranged. Please ask us)
Some images are available as postcards - those are marked accordingly.
10% of all sales of images with children will be gifted to children worldwide through the NRC (Norwegian Refugee Council)
The occasion was a campaign for a major Pharma corporate announcing some new way to spin the cancer therapy answer. Finding a model who was actually in the process was not the imperative.
This Beauty in Blue had lived with alopecia since an early age, so was ideal.
During the session we talked and she felt comfortable enough to open up about her condition.
Getting round the usual school yard teasing she wore wigs. Her baldness to me was utter beauty. Intuitively I felt her early experiences had brought on the condition and I shared my instincts. She immediately brightened as she listened to what she had always known, spoken by a stranger. She confided that what I shared was so helpful she felt she could now live life without wigs and celebrate her inner and outer beauty.
The campaign went on to win awards. Everyone was delighted. Nearly a year later we connected again and she told me very shortly after our meeting her hair started to grow back as her life began to change.
In life we may never know how a few words, a chance encounter and inspired, inspirational insight can utterly create transformation in another.
This time I was privy to results - a rare blessing in itself.
We are so utterly interdependent of each other if we could just recognise it. There are gifts that grow from living that reality.
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Shot on the original plot of land Cletus Babu and wife Amelie started their lifelong project to raise a nation's people to self learn, train and share an ever expanding knowledge and life base. The project, now over 25 years old has helped lift over 5 million from absolute poverty into skill sets and artisanal expertise that has saved hundreds of villages and millions of livelihoods.
Recognised by the President of India to have been one of the most important and inspirational developments in the history of that great land, these two pioneers are the humblest, most beautiful souls I have met.
During my time on a commission shoot to photograph the incredible work of Cletus Babu, an ex Catholic priest with his wife Amelie who initiated SCAD, a charity run with assistance from a handful of helpers aiding the many harijans (untouchable class), poor, farmers, salt pan workers and village folk regain their humanity, dignity and worth through education in self sufficiency, I met some amazing people. The charity has brought prosperity, standing and a rich cultural pride to so many communities and people - on a shoe string and with no corporate support. In fact 99.8% of all donations go to the source.
This woman was caught as she planted small tea bushes which soon would supply income, training and a rich source of satisfaction to so many.
If only we would all learn to work and share like this the world would be a far richer place on every level
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Maybe one of my all time top three. This image was captured on a commission shoot to photograph the incredible work of Cletus Babu, an ex Catholic priest turned people's champion, who with his wife Amelie initiated SCAD, a charity run with assistance from a handful of helpers aiding many harijans (untouchable class) regain their humanity, dignity and worth through education in self sufficiency. Over a nearly twenty year period he has brought prosperity, standing and a rich cultural pride to over 5 million people - on a shoe string and no corporate support. In fact 99.8% of all donations go to the source.
This singularly beautiful young girl gifted me an image that is seared into my soul. It is in the eyes, those windows on the soul that speak more than any words. The inner strength, the gratitude of connection, all these things I felt as the shutter caught her haunting look. A connection of love is what I felt, a love that every human soul recognises as the thread connecting us all as one human family - it is the oneness we all inherently carry - if we but knew it!
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A wonderful shoot done in the early '90s for a UK brewery sponsoring rugby. We were presented with the most amicable fellow who was not only a one time All Black player but gave his huge sporting skills to both rugby union and league. His name is Frano Botica and his being subjected to a paint work to suit his Maori roots and the Haka image we were looking for was a hilarious part of the whole operation.
One of the true joys I took from my life in the industry was being able to work with consummate professionals both in front and behind the lens. The skills of the hair and make up, stylists and other essential folk was a joy to be surrounded by.
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There are three C-Type prints sold as a very limited edition of 4. The perints are each 39 cms x 50 cms image area and will be mounted on a 60 cms x 50 cms acid free board
For more information go here
" An assignment for a Japanese Fashion client in Umbria, Italy delivered this delightful image. The little guy was a real pro, enjoyed what kids love best, getting wet legally. The pond we were using happened also, in its deepest recesses to be filled with old German and Italian artillery gear thrown away on their retreat. You'd never know unless with local knowledge!
Another beautiful spot in this great country Italy. "
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" This amazing model who sat for these images was the same as Chalice Girl and today this image is as true and needed as ever. It is so sad to feel that in 30 years those that have power feel the need to transgress inhumanity on humankind. We are the generations to say NO, we have the power to throw out all who cry for war. Do so in whatever way you are able to. Have this image as an inspiration and why not make it your card to send this season of peace and goodwill....
All purchases of this item will benefit a fundraiising campaign for Palestinian children - see details here. We will be donating 10% of all sales of this image to the fundraising in conjuction with the Norwegian Refugee Centre's amazing work with refugees, children, mothers and parents who suffer so much. We can help in relieving their trauma."
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10% of sales of this print go to the Norwegian Refugee Council's work with children worldwide
" The carnival season across Europe always offers the photographer an abundance of imagery. This little chap took part in one carnival in San Gimignano and captures the awe and wonder that is forever the territory of the young. We can learn so much from our children, if we only give space to listen and learn. Our own child within must be fed, nurtured and rejuvenated. In my extensive work with children in the industry, my ability for capturing the "natural" rather than contrived, afforded me the accolade as one of the foremost 'kids photographers'. The payback for me was my own constant reignitron of that inner child spark. Truly it is where creativity in its purest form resides. We ignore, disabuse and think the child's world a fantasy and merely a passing phase at our peril. The world the child interacts with is filled with awe, wonder, inquisitive questioning and living in the moment. It is a world far richer than all our percieved riches traded in adulthood."
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The cute way of locking the goats together during milking time was not only highly efficient but also hilarious to witness. One thing for sure the goats loved it and were very vocal between each other. It is easy to understand that bond between human and animal, beyond dependency each to the other.
Another in the Mongolian series. The faces talk so much to us.
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" My first visit to Mongolia and the open hearted welcome that was transparent in every place we passed through, was emotional. I was once again very aware as to how much , in the West we miss through our huge lack of living the moment, connecting and moving with the natural cycles.
These four scallywags were an important part of this hugely generous family of nomadic farmers who though nothing of inviting us into their life, sharing tea, food and company as if we were long lost family members ourselves. You cannot be but touched by the loving kindess, generosity and selflessness so many with so little manage to gift. Were they happy? - A picture speaks a thousand words! "
Another in the Mongolian series.
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This young fella could not keep himself away from the lens. He was simply fascinated by the camera and certainly the great big stranger kidding around with him. Neither of us spoke the pthers' tongue but hey that never stopped anyone from having a great time. Gran getting some serious milking done saw the funny side as she always did and we all had a ball. By the way the milk was delicious and fresh. Reminded me of another generation when I skimmed the Jersey cream first thing in the morning at the same age as he was, down on our farm thousands of miles from here!"
Another in the Mongolian series.
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" An overnight stop on the steppes meant being invited into this family's yurt and hospitality. Their young daughter was eager to serve us tea, food and sweets. She also was keen for me to photograph her so I obliged willingly. Having spent a large part of my career photographing kids and getting a great reputation for catching their 'naturalness' it was easy to catch her charm and innocence. When I showed her the results she smiled broadly then ran away shyly. That spoke volumes as it was a mark of great respect among these nomads."
Another in the Mongolian series.
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" This was a great shoot for a fashion house. We took the day out of town and landed up at the Lasham Airfield in Hampshire. Renowned as one of the top gliding fields in Southern England, it also very strangly, for the first time visitor, sports a bit of a grave yard for jets from past times as well as the latest passenger aircraft from Garuda Airways or other foreign airlines. Not exactly the airport for long haul it is however a repair and service centre for several airlines. It sports a huge hangar for such, and is quite an odd site in the beautiful Hampshire countryside.
However its graveyard has some great props for photography and we made full use of them. The two models were amazing and a fun day was had by all. A few weeks later I took my first gliding flight from the same field and had the most stunning flight over not only Lasham but miles of English fields and woodlands."
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" The landscape in the Southern Siberian area of the Altai Republic is some of the most stunning I have ever experienced in my entire career as a professional photographer. As the Russian Federation and Central Asia have opened up, we who have had scant awareness of the natural beauty of these places are spoiled in the abundance of choice. The lake, Kurcherla is one of many recieving the melt off from high glaciers further up in the Belukha range. The clarity and purity of these waters offer fisherman an idyllic spot to sit and commune. Outdoor activities have always been a part of life here and the respect everyone has and relation with nature is reflected in the way they douse their fires and scrub their mark on the earth when leaving. At each favored spot the sites are left in prisitne readiness for the next arrival. This behaviour sits harshly against our litter prone society in the UK ."
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" In 1989 on the winter solstice I was fortunate enough to find myself at Giza. It was one stop on a major project of recording sacred sites around the world. One of the most compelling became Transformation, an image I was 'gifted' of Chephren's Pyramid. That same day I found myself surrounded by a large group of 'desert taxis' along with their inimitable and boistrous drivers. There are so many qualities I love about the Egyptian soul , the devil may care, business at any price attitude ranks in my notebook as an ongoing competition between these and their Indian sub continent rivals. I adore the happy banter, the tussle and thrust of barter always ending in mutual satisfaction, ultimately interaction having been the game. As a photographer I always had my antennae up for the picture. Here they gave me much more than I am sure I returned!
By the way, that 'contract' is illustrated no more finely than in the story behind the 'Soup Seller' in Luxor "
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Porto Santo Stefano,Italy:
I am sure we all dream of being in a similar location, sun, a sea breeze and the best Italian sea food pasta. The typography of the Trattoria, the characters assembled, all it misses is Gina Lollobrigida, now there was a great photojournalist, yes really, she was after her film career!
‘Perfetto!’ as they say down there....
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The Sunday Service in the Square was filled with people in national dress from all over the world. The bishop and his ministers held forth at the altar table. I knew I needed to get behind them all and capture the scene. I was not dressed in national costume but sported a pair of jeans and tee shirt, with a $5 camera, so small as to be virtually unnoticeable.
Clambering on a chair behind the ‘Bish’ I got the angle and made swift retreat before anyone could swat me round the ear!
Ah! the joys of being a photographer grabbing ‘the moment’. Brings out the mischievous in me, always.
Another successful campaign for Fuji throwaway cameras - yes we were not allowed to cheat in using our expensive gear - a rare thing truth in advertising but sure sold the product!
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I grew up holding a deep admiration for the likes of photo greats Sarah Moon and David Hamilton. My early work was
inspired greatly by these two among a handful of great photographers.
This image had no intention to replicate Moon, yet happenstance was such that instantly seeing the image develop I grabbed the $5 camera from my pocket and shot. What I realised only when the film was developed was the sojourn of
camera in pocket meant the instant change of temperature caused a misting to take place on the lens!
Violà effect effected!
Way before Photoshop....
Another successful campaign for Fuji throwaway cameras - yes we were not allowed to cheat in using our expensive gear - a rare thing truth in advertising but sure sold the product!
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This natural anomaly perfectly caught the mood of the time. Here is where analogue transformed onto the digital platform can add the artist’s brush of Provence onto the canvas with effect and ease. This visitor probably never realised his time travel allusion he presented to my lens. We can thank him for that and know each of us have our place in interpreting a creative choice!
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During one of my appearances at the world famous Rencontres d’Arles annual global photography festival in France, where I was asked by the big name manufacturers of the industry, the likes of Kodak, Ilford and Mamiya to hold workshops, I came across the Sunday Festival celebrating bygone ages alongside today.
This particular year I had been handed, as part of a new campaign from film producer Fuji, a throwaway camera that I was instructed to use, to show categorically how good these $5 cameras performed. No professional kit was to be used.
I had my doubts but a commission was a commission. The results astonished me. The clarity and capture were astounding!
This small child made it for me by turning her curiosity towards me just when it was perfect.
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This image is a huge favourite. Both its capture, the follow up story and the gifted lesson all collude to
illustrate the importance of equally giving and sharing between people, no matter where they come from, what
circumstances they carry and why the photographer is there in the first place.
Moving through the marketplace in Luxor, I spied this fabulous face. Sitting down beside him I asked if he minded me taking his photograph. He immediately remarked - “As long as you taste my soup” and laughed uproariously.
Immediately I caught his expression and shared soup. The best soup I had tasted ever on trips to Egypt.
Many years later in ‘89 I returned on a private meditation visit with a group of eight others. I knew previously we would visit Luxor so armed myself with an A3 sized image of the soup seller. As we strolled around the same market place looking for my man, all redirected us until I hit upon his son. “Yes this is my father” as I showed him the print - “Please come back to our house as my father is very ill”. We were guided, all of us to the family house. A single story white cement construction some 10 minutes away.
By the time we arrived news had already got back that the ‘effendi’ were coming. Along the long white outside wall, all in line were a multitude of family ranging from toddlers to grandparents. We were treated like
royalty. I was invited to enter the humble abode by his son and presenting him the print, he took it over to a stone slab. His father was lying there a ghostly image of his former self as I remembered him and was apparent in the photo. He gently raised his father, supported by bolsters to admire the photo, explaining this foreigner had brought it. The old sick man looked up to me, some distance away and pointed his finger -”Ah, the young man who shared soup with me!” he managed to say. I could not hold back the tears as neither could the rest of my party. So touching this act of
gratitude had made an old sick and shortly to die man beam with recognition and delight.
What I did not know till then was that this image was as if we had presented them all with a king’s ransom. Unknown to us he was indeed the patriarch of the whole small tribe and this image, shortly before his passing would allow them to retain his visual memory for many generations, previously unattainable on their meagre means.
It was one of the most profound lessons in gratitude and its impact I have ever been gifted. Selfless giving can hold the most extraordinary returns never possibly imagined at the time of sharing.
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Having been invited to speak at a UNESCO conference on Islamic Art and poetry in Ankara, Turkey having recently translated Sufi saint and poet Hoja Ahmed Yassawi’s 11th century masterpiece Divine Wisdom into English, I found myself on a bus with other
participants being conveyed through the twilight of the capital on a modern day charabanc.
The driver’s rear view mirror gave me inspiration for this quirky interpretation.
Although having lived a full and rewarding life in analogue photography, the merits of digital imaging have their up sides. The
treatment I afforded this would have taken days and huge effort to arrive at through analogue.
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In Ankara on May Day shortly before the failed attempted coup by forces close to the US/CIA/Soros elements I stole some wonderful images.
This one I caught shortly before being accosted by the police in the image who caught me taking these pics. As the good and well trained photojournalist as I had become I swiftly moved the digital images forward. Why?
They would inevitably ask me to wipe all images off.
After that preemption and an animated convo, I obliged till I arrived at a picture of their modern founder Attaturk. I asked if they wished me to wipe him and at that point they lost interest.
What they had no idea was I had wiped only the inconsequential happy snaps I knew I had to lose.
Always good to be well prepared in tricky situations!
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The star here is the 1938 Rudge Ulster. Shot in the backwaters of Twickenham in Surrey the two models were stars themselves. Alright I am a life long biker so you know where my preferences lie. Pre-digital of course, my colourist did a magnificent job on the black and white original.
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This image shows how brilliant stylist sourcing a mercury-like flowing dress just tops off a fantastic look the young model was able to produce. She was so into the whole Holy Grail bit which made me wonder about her past lives, but hey it all worked perfectly.
Yes the silver chalice was real and heavy but do you see her wincing?
As I said she was professionalissimo!
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In casting I immediately saw this pre-Raphaelite image take shape. She was perfect for it. We had great fun creating the set and she was fascinated by how water could be brought into the studio. Creating magic can be such fun especially when you have a vibrant child’s imagination assist you. My darkroom genius Gene Nocon created some great lith prints complementing the photographic look of a Julia Margaret Cameron I was after. On these occasions as with so many, the art and creative input of stylists, backdrop painters and props are essential extensions for a great result.
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Covering a folk festival in Estonia I found myself high up a wooden lookout tower, as one does. A great angle for a graphic image this turns out to be. Pure water lake, clear healthy air and it looks like pure love developing!
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